Bacchae’s Voice is an original devised performance that bridges music theater, contemporary experimental music, and electronics. The constant use of indeterminate phonemes and vocalizations of all four performers give prominence to the human voice as a primordial means of extra-linguistic communication, while the use of electronics shatters the borders between the human voice and the computer music that processes the sounds of the voices and creates the space for a mystic ritual in which the Voice, as an amalgamation between humans and computers, is the protagonist. The cruelty and brutality in the use of the human voices, the acoustic instruments, and electronics are symbols of violence as the latter is demarcated through Euripides’ original tragedy: between Pentheus and Dionysus (Apollonian-Dionysian), between the opposite sides of human nature, and between humans’ inherent desire to preserve their tradition and violently overturn it. Just like Euripides’ Bacchae reveals an ever-existing contradiction at the basis of the human soul, human societies, and human history overall, likewise, Bacchae’s Voice aims to penetrate the human voice and point out its unmediated, unexplored, and unsayable nature.