{"id":1747,"date":"2025-12-27T18:04:37","date_gmt":"2025-12-27T18:04:37","guid":{"rendered":"https:\/\/ioannisangelakis.com\/?page_id=1747"},"modified":"2026-03-25T15:40:26","modified_gmt":"2026-03-25T15:40:26","slug":"list-of-works","status":"publish","type":"page","link":"https:\/\/ioannisangelakis.com\/index.php\/list-of-works\/","title":{"rendered":"List of works"},"content":{"rendered":"\t\t
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List of works<\/h2>\t\t\t\t<\/div>\n\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
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MATER TREMENDA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for five performers and electronics (2026)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by \u00c1ktapha Ensemble
Premiere: April 21, 2026, Athens
Duration: 25\u2019 min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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[ lived_space ]<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for violin, double bass, trombone, electronics, and lights (2025) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tCommissioned by the Greek National Opera for the mentorship at the Composition Workshop
Premiere: Ergon Ensemble, Alternative Stage at the Greek National Opera, 10-12 October, 2025
Duration: 14\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Stumbles<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for two dancers and two musicians (2025)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tDevised performance of dance and music theater
Funded by the Greek Ministry of Culture and Produced by Ars Nova Experimentalis
Concept\/Creation: Nikos Kalivas & Ioannis Angelakis; Choreography: Nikos Kalivas; Music Composition, Sound Design, Electronics: Ioannis Angelakis; Dramaturgy: Rodia Vomvolou; Costume Design: Ellada Damianou; Light Design: Giorgos Agiannitis; Sound Engineer: Nicolas Koutsothanasis; Communication: Giota Dimitriadi; Photography\/Videos: Ioannis Kampanis; Production: Ars Nova Experimentalis; Performers: Natalia Baka (dancer), Sophia Pouchtou (dancer), Irini Bilini-Moraiti (voice\/violin\/medieval fiddle), Ioannis Angelakis (live electronics)
Performances: B\u2019 Ancient Theater of Larisa, Greece, August 1 & 2, 2025 (2 performances)
Duration: 55\u2019\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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[ schizo ]<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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eight-channel electronic composition (2025) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tWritten for the collaborative sound installation Latent Space
Production: Greek National Opera, Learning and Participation Program
Installation: National Library of Greece, March 27 – April 2, 2025
Duration: 9\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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La Petite Mort<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for two dancers and electronics (2025)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tDevised dance performance, funded by the Greek Ministry of Culture & Ars Nova Experimentalis
Concept\/Creation: Nikos Kalivas & Ioannis Angelakis; Choreography: Nikos Kalivas; Music Composition, Sound Design, Live Electronics: Ioannis Angelakis; Dramaturgy: Rodia Vomvolou; Costume Design: Ellada Damianou; Light Design: Giorgos Agiannitis; Sound Engineer: Nicolas Koutsothanasis; Communication: Giota Dimitriadi; Poster, Videos, Photography: Grigoris Morikis; Production: Ars Nova Experimentalis; Performers: Ioanna Apostolou, Maria Fountouli
Performances: PLYFA Theater, Athens, January 22 – February 11 (5 Performances)
Duration: 45\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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[ lived_space ]<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for string quartet and electronics (2024) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tCommissioned by the Washington Square Contemporary Music Society
Premiere: Bergamot Quartet, Tenri Institute at New York City, October 19, 2024
Duration: 13\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Bacchae\u2019s Voice<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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music theater for four performers (2024 rev. \/2021) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tCommissioned by the Greek Ministry of Culture || Co-funded by the Greek National Opera
Music Composition, Sound Design, Live Electronics, Texts: Ioannis Angelakis; Director: George Koutlis; Set & Costume Design: Artemis Flessa; Light Design: Giorgos Agiannitis; Performers: Christos Kechris & Ergon Ensemble
Premiere: Ancient Theater of Mieza, Greece, September 5 & 6, 2021
Next (Revised) Performances: Alternative Stage, Greek National Opera, May 18-19, 2024
Duration: 60\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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A Man and His Double<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for a dancer and a musician (2024 rev. \/2023)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Devised performance for a dancer and a musician, created and performed by Alex Vardaxoglou (choreography) and Ioannis Angelakis (music composition, sound design, live electronics)
Funded by Duncan Dance Research Center & Ars Nova Experimentalis
Premiere: Theatro Vraxon, Athens, June 9, 2023 Next Performances: PLYFA Theater, Athens, April 1-9, 2024 (4 Performances)
Duration: 35\u2019 min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Goodbye BATMAN<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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music theater for three actors and electronics (2023)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Produced by Ars Nova Experimentalis
Stage Direction, Music Composition, Sound Design, Live Electronics, Adaptation, Dramaturgy: Ioannis Angelakis; Texts: Tasos Theofilou; Set & Costume Design: Ellada Damianou; Light Design: Giorgos Agiannitis; Movement: Nikos Kalivas; Assistant Director: Dimitra-Ioli Exarchou; Assistant Set Designer: Christina Zacharia; Photographer, Video, Poster: Ioannis Kampanis; Communication: Giota Dimitriadi; Sound Engineer: Konstantinos Baras; Technician: Giorgos Kassakos; Production: Ars Nova Experimentalis; Actors: Dora Kamposou, Nicolas Bravos, Maria Dinou
Performances: PLYFA Theater, Athens, November 11- December 17, 2023 (12 Performances)
Duration: 80\u2019 min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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STEREO \u2022 FONIE<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for two male voices and two accordionists (2022)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tCommissioned by Darmstadt Summer Course 2021 for Neuevocalsolisten
Premiere: Neuevocalsolisten, Carlo Sampaolesi, Aleksandar Popovi\u0107; Stuttgart, March 20, 2022
Duration: 13\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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FRAGILE<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for five performers (2022) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Brandeis University for the 2nd Henri Lazarof International Composition Competition.
Premiere: Sound Icon, Jeff Means (conductor); Brandeis University, March 27, 2022
Duration: 32\u2019 min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Rondo Vocale<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for two singing percussionists (2021)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tCommissioned by the Popocatepetl Percussion Duo
Premiere: Popocatepetl Percussion Duo; Teatro Miela Bonawentura, Trieste, October 14, 2022
Duration: 13\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Sonatina<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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miniature for four performers (2021)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tCommissioned by Mixtur New Sound Creation Festival 2021
Premiere: Garage Ensemble, Fabra i Coats, Barcelona, October 1, 2021
Duration: 3\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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|| \u0394\u03a5\u039f ||<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for saxophone quartet (2021) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tCommissioned by St. Petersburg International New Music Festival 2021
Premiere: Konus Quartett, House of Radio in St. Petersburg, April 27, 2021
Duration: 12\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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KADIN, miniature for revolution<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for 8 musicians and 6 dancers (2020) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tCommissioned by the Intercultural Orchestra of Greek National Opera Choreographer: Nikos Kalivas Streamed
Premiere: Stavros Niarchos Foundation, GNO TV, December 10-20, 2021
Duration: 5\u2019 min\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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DUST.<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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a music drama for Lord Byron, for 2 male voices and 7 soloists (2020)\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by the Greek National Opera
Premiere: Stavros Niarchos Foundation, Alternative Stage, January 16 & 17, 2021
Duration: 24\u2019 min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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MATRA \u2022 PERSONA<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for voice and flute (2019)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Ensemble No\n
Premiere: Ryoko Aoki & Kazushi Saito, Shibaura House, Tokyo, December 19, 2019
Duration: 22\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Bacchae: Paralipomena<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for voice, bass clarinet, trumpet, and trombone (2018)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commission Award by loadbang for their 6th Commission Competition\nPremiere: loadbang, National Opera Center in New York, February 18, 2018\nNext Performance: loadbang, Baryshnikov Arts Center, New York, December 7, 2018
Duration: 40\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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DIVINE \u2022 ANARCHY<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for six performers (2017)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Waverly Project
Premiere: Talea Ensemble, Jeffrey Means (conductor), Dimenna Center, New York, April 8, 2017
Duration: 23\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Institution Imaginaire<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for string quartet (2016)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Momenta Quartet
Premiere: Momenta Quartet, Dimenna Center, New York, March 29, 2017
Duration: 45\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Les Bonnes Pouilleuses<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for voice and four performers (2016)\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Composit <\/i>New Music Festival
Premiere: Ang\u00e8le Chemin & mdi ensemble, Rieti, Italy, July 6, 2016
Duration: 11\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Hell\u2019s Kitchen: IV16\/g-BAY n\u2019 NIL-r<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for 2 pianists and 2 percussionists (2016)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Waverly Project
Premiere: Yarn|Wire, Dimenna Center, New York, April 16, 2016
Duration: 8\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Hell\u2019s Kitchen: LS + MN \u2013VI\/16<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for piano and percussion (2016)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Il Suono<\/i> New Music Festival
Premiere: Ensemble Suono Gialo, Citta di Castello, Italy, July 24, 2016
Duration: 8\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Bacchic Prolegomena<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for voice, bass clarinet, trumpet, and trombone (2015)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by NYU Department of Music
Premiere: loadbang, Dimenna Center, New York, April 20, 2016
Duration: 11\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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ASC-2.1-III15<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for 2 percussionists (2015)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Finalist in the Competition International Percussion Premier Night (2nd<\/sup><\/span> Edition) 2020
Premiere: Popocatepetl Percussion Duo (Gabriele Petracco & Marko Jugovic), Casa della Musica, Trieste, Italy, February 15, 2020.
Duration: 20\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Dream Play III<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for flute, clarinet, piano, violin, and cello (2015)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Finalist in the Competition International Percussion Premier Night (2nd<\/sup><\/span> Edition) 2020
Premiere: Popocatepetl Percussion Duo (Gabriele Petracco & Marko Jugovic), Casa della Musica, Trieste, Italy, February 15, 2020.
Duration: 20\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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DreamPlay (II)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for flute, cello, and piano (2014)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Trio IAMA
Premiere: Trio IAMA, Mihailidis Hall, Thessaloniki, Greece, February 25, 2016
Next Performance: Trio IAMA, BKA Theater, Berlin, February 21, 2017
Duration: 14\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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DreamPlay (I)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for 6 performers (2014)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Wild Rumpus
Premiere: Wild Rumbus, Nathaniel Berman (conductor), Center of New Music, San Francisco, February 28, 2015
Duration: 13\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Y-87-XII13<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for large orchestra (2013)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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[3.3.3.3 – 4.2.3.1 – 4 perc \u2013 Harp – 30-14-12-10-8]
Commissioned by Athens State Orchestra
Grand Prix Winner, Second International Competition of Composers<\/i> \u201cNew Music Generation<\/i>\u201d, for symphonic composition, Kazakhstan (2020)
Premiere: Athens State Orchestra, Conductor: Loukas Karitinos, Athens Concert Hall, March 7, 2014
Other performances: Eurasian Symphonic Orchestra, Conductor: Aidar Torbaev, University of Arts, Astana Kazakhstan, October 3, 2022\n
Duration: 13\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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ASC-3.1-VIII13<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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or bassoon, trombone and percussion (2013)\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Voix Nouvelles de la Fondation Royaumont<\/i>
Premiere: Namascae Lemanic Modern Ensemble, Fondation Royaumont, September 14, 2013
Duration: 11\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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ASC-4.1-III13<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for string quartet (2013)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Finalist in the 9th<\/sup><\/span> Thailand International Composition Competition
Premiere: Violins: Song Qiang, Sakkan Sarasap, Viola: Michael Hall, cello: Martin Jaggi, 9th<\/sup><\/span>\u00a0 <\/span>Thailand International Composition Festival, Auditorium-Mahidol School of Music, July 13th<\/sup><\/span>, 2013.
Other performances:
Momenta String Quartet, Silver Center of New York University, April 21, 2014
Mivos String Quartet, Pick Staiger Hall of Northwestern University, April 26, 2014
JACK quartet, Boston University, Concert Hall, February 26, 2013
Duration: 18\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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TR-6.1-X12<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for fixed media (2013)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by NYU Department of Music
Premiere: Orchestra of the League of Composers, Merkin Hall, New York, May 5, 2014
Duration: 11\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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M_f_E<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for solo bass clarinet and small chamber ensemble (2013)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Premiere: Marshal Room, School of Music, Boston University, May 5, 2013
Duration: 10\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Edtaonisl (II)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for 15 performers (2012) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by International Composers\u2019 Pyramid (ICP)
Premiere: ICP Ensemble, Canterbury, December 8, 2012; Dunkerque, December 9, 2012
Duration: 9\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

\u00c9ternelle, Inassouvie\u2026 (II)<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for viola and double bass (2012)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Winner of the TAKEFU Composition Award of TAKEFU International Music Festival in Japan
Premiere: Viola: Yoshiko Hannya, Double Bass: Shishey Mitsui, Echizen Cultural Center in Takefu, Fukui: September 8, 2012
Duration: 12\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u00c9ternelle, Inassouvie\u2026(I)<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for clarinet and piano (2012)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Winner of the ALEA III International Composition Competition 2015
Premiere: Clarinet: Amy Advocat, Piano: Sarah Bob, ALEA III International Composition Competition 2015, Tsai Performance Center, Boston, April 19, 2015
Duration: 11\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Edtaonisl (I)<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for 14 performers (2012) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Premiere: Sound Icon Ensemble, Conductor: Jeffrey Means. Boston University Concert Hall, February 19, 2012
Duration: 9\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Obsessions Sombres<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for 5 performers (2011)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by the 2012 ALEA III workshop.
Premiere: Alea III, Conductor Theodore Antoniou, Tsai Performance Center, Boston, March 26, 2012
Duration: 11\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

L\u2019 \u00c2me Noire<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for 12 performers (2011)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Premiere: Sound Icon Ensemble, Conductor: Jeffrey Means. Boston University Concert Hall, October 29, 2011
Duration: 12\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Une \u0153uvre pour l\u2019 \u00e9cho des r\u00eaves (II)<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for orchestra (2011)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

[2.2.2.2, 2.2.1, 3 percussion groups, piano\/celesta, harp, strings]
1st<\/sup><\/span> Prize in the Toru Takemitsu Award 2012\u00a0 <\/span>(judge: Toshio Hosokawa)
Premiere: Tokyo Philarmonic Orchestra, Conductor: Noahiro Totsuka, Tokyo Opera, May 27th<\/sup><\/span>, 2012
uration: 12\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Les Quatres Petites Filles<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for string quartet (2011) \n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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1st<\/sup><\/span> Prize in the 11th<\/sup><\/span> National Composition Competition of Y.A. Papaioannou
Premiere: Violins: Sarah Atwood and Sean Larkin, Viola: Young Sin Choi, Cello: Ian Gottlieb, Boston University Concert Hall, April 11, 2011
Duration: 15\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

une petite \u0153uvre pour l\u2019 \u00e9cho des r\u00eaves<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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for alto flute and guitar (2011)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Commissioned by Ria Georgiadou and recorded for her personal album:
Flute Dimensions<\/i>Flute: Ria Georgiadou, Guitar: Korina Vougiouka
Duration: 7\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

D\u00f6dsdansen<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for violin, violoncello, clarinet and piano (2010)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1st<\/sup><\/span> Prize in the 5th<\/sup><\/span> National Composition Competition of Dimitris Dragatakis
Duration: 10\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Noir<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for violin and chamber orchestra (2010)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

3rd<\/sup><\/span> Prize in the International Composition Competition \u201cSynthermeia 2012\u201d
Premiere: Id\u00e9e Fixe Ensemble, Violin: Maria Spanou, Conductor: Miltos Logiadis, Municipal Conservatory of Thermi, April 22, 2012
Duration: 11\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Quaint Tale of a Flower<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for string orchestra (2010)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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2nd<\/sup><\/span> Prize in the 2nd<\/sup><\/span> Sofia International Competition for string orchestra in Bulgaria
Premiere: Sofia Soloists String Orchestra, Studio of National Bulgarian Radio, October 10, 2010
Duration: 11\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Le Phantome de Marseille<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for 5 guitars, actors, live video art, and lights (2010)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned by Guitarte Ensemble
Premiere: Guitarte Ensemble, Vafopouleio Cultural Center, Thessaloniki, May 18, 2010
Actresses: Eleni Lyra, Maria Fotiadou; Video Art and Live Cameras: Anestis Patkas; Lights: Sgouros Sgouromallis
Duration: 13\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Lumiere Noire<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for string quartet and piano (2009)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Finalist in the 7th<\/sup><\/span> National Composition Competition for chamber music
Premiere: Theocharakis Foundation, Athens, January 13, 2010
Duration: 10\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

\u0391\u03b5\u03c1\u03b9\u03ba\u03cc<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for 6 performers (2009)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned for the 10th<\/sup><\/span> Workshop of Athens\u2019 Concert Hall for young composers
Premiere: Greek Ensemble of Contemporary Music. Conductor: Theodore Antoniou, Athens Concert Hall, November 24, 2009
Duration: 10\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Romantic<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for alto flute, violin, harp and percussion (2009)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Premiere: Alto flute: Ria Georgiadou, Violin: Omiros Yiavroumis, Harp: Eleni Tsaousaki, Percussion: Petros Gambelis, Vafopouleio Cultural Center of Thessaloniki, May 20th<\/sup><\/span>, 2009
Duration: 8\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

\u201c\u03a4\u03b9 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b7 \u03b3\u03b1\u03bb\u03ae\u03bd\u03b7...\u201d<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for 8 performers (2009)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Commissioned for the 3rd<\/sup><\/span> Workshop of Thessaloniki Concert Hall for Young Composers
Premiere: Dissonart Ensemble, Conductor: Vladimiros Simeonidis, Concert Hall of Thessaloniki, May 9, 2009
Duration: 10\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Woodwind Quintet (2008)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Honorable Distinction in the 6th<\/sup><\/span> National Composition Competition for Chamber Music
Premiere: Woodwind Quintet of the State Orchestra of Athens, Theocharakis Foundation in Athens, December 27, 2008
Duration: 8\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Transparent Night<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for violin and piano (2007)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2nd<\/sup><\/span> Prize in the 3rd<\/sup><\/span> National Composition Competition of Dimitris Dragatakis
Premiere: Violin: Kostas Anastasopoulos, Piano: Vicky Stylianou, Athens Concert Hall, January 15, 2009
Duration: 10\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Nefeles<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

for solo alto flute (2007)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Premiere: Angeliki Sousoura, Vafopouleio Cultural Center, Thessaloniki, Greece, November 29, 2007
Duration: 7\u2019min<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
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\u00a92026 Ioannis Angelakis<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

List of works MATER TREMENDA for five performers and electronics (2026) Commissioned by \u00c1ktapha Ensemble Premiere: April 21, 2026, Athens Duration: 25\u2019 min [ lived_space ] for violin, double bass, trombone, electronics, and lights (2025) Commissioned by the Greek National Opera for the mentorship at the Composition Workshop Premiere: Ergon Ensemble, Alternative Stage at the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","ocean_front_end_style_editor":"no","ocean_post_layout":"full-screen","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"on","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"off","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"class_list":["post-1747","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/ioannisangelakis.com\/index.php\/wp-json\/wp\/v2\/pages\/1747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ioannisangelakis.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ioannisangelakis.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ioannisangelakis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ioannisangelakis.com\/index.php\/wp-json\/wp\/v2\/comments?post=1747"}],"version-history":[{"count":124,"href":"https:\/\/ioannisangelakis.com\/index.php\/wp-json\/wp\/v2\/pages\/1747\/revisions"}],"predecessor-version":[{"id":2559,"href":"https:\/\/ioannisangelakis.com\/index.php\/wp-json\/wp\/v2\/pages\/1747\/revisions\/2559"}],"wp:attachment":[{"href":"https:\/\/ioannisangelakis.com\/index.php\/wp-json\/wp\/v2\/media?parent=1747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}